| Issue |
Section |
Title |
File |
| Vol 3, No 2 (2023) |
"I'm OK, You're OK" |
Expressions of Personality Adaptations on the Example of the Film ”August: Osage County” |
(Rus)
|
| Vol 3, No 3 (2023) |
"I'm OK, You're OK" |
The Theory of Strokes from the Unconditional Position ”I’m — OK, You’re — OK” on the Example of the TV Series ”Ted Lasso” |
(Rus)
|
| Vol 4, No 1 (2024) |
"I'm OK, You're OK" |
Be Yourself: Permission to the Driver ”Be Perfect” with the Help of Cinema |
(Rus)
|
| Vol 4, No 2 (2024) |
"I'm OK, You're OK" |
The Dilemma of Schizoid Adaptation on the Example of the Films “First Man” and “Ad Astra” |
(Rus)
|
| Vol 4, No 3 (2024) |
"I'm OK, You're OK" |
The message and the drama of the paranoid adaptation on the example of ”The Devil Wears Prada” |
(Rus)
|
| Vol 5, No 1 (2025) |
Analysis of cinema |
High cost of choosing to please others: a study of Histrionic Adaptation through movie characters |
(Rus)
|
